In the chaos and instability during Wei, Jin, and North-South dynasties people looked for hope and relief everywhere. When you have nothing how can you still have hope?

How and why did does an icon of Buddha stop refugees in their tracks? Is is because of the religious symbolism behind the icon or is there more to this classic, ethereal icon?

Let's compare the Beiqi Buddha to that of the Northern Wei! Who knew Buddha icons could represent the same ideology yet be so different visually. Take a look for yourself.

The expression that Buddha bears is one of deep peace, but where does this expression come from? What exactly is this so called, "deep peace" and how can we achieve this state of being?

Submission and acceptance of the world is something to respect. There is a phrase in Lao Tzu's "Dao De Jing", "the sage is ruthless, to them ten thousand things are but straw dogs". This phrase doesn't necessarily denounce sages or monks but rather reveres them for their ability to accept things as they are, which in it own right is a remarkable ability.

Living in the political instability of the Wei, Jin, North-South dynasties was in itself an experience of great suffering. How did people like Xiaoming survive? The Buddhist ideas of submission and acceptance may have played a part.

An older artist explains how there were no artist studios back in his day.

The artist begins by explaining his daily process of painting.

The artist tells about the intricacies of his very dull painting process. Some people say they want to come watch him painting, but he advises against it. The magic is in the tedium.

The artist describes how he first began painting oil paintings. He copied the paintings on on poker chips confiscated during the cultural revolution.

The painter describes how he would travel all over his city in his teenage years to observe all the different oil painters he could see.

The artist talks about how art progresses and how that progression has to move slowly.

The artist talks about how in his day conversation was more lively and people weren't looking at their phones all the time.

In this episode, Yi Gongzi introduces the often overlooked museum specialty: ancient Chinese bronze ware.

As Yi Gongzi explains, ancient bronze tableware isn't for just anyone to use.

Yi Gongzi explains how bronze was discovered and formed in ancient China.

Yi Gongzi details the long and involved process of making bronzeware.

Making bronzeware is an arduous and involved process, and its usage has a strict hierarchy.

Dings were used by nobility as a way to capture all of life's special moments.

What defines luxury and wealth when it comes to tableware?

China's first statues did not come from the popular Song or Tang dynasties. Yi Gongzi explains.

Yi Gongzi describes the chaos and turmoil of the Wei, Jin, Southern and Northern Dynasties.

Yi Gongzi tells the tale of Xiaoming and how he discovered an important find during the Northern Qi Dynasty.