The artist based on the fact that young Japanese people who participated in his art project didn't take up most of the page when they were drawing, makes broad assumptions about Japanese society.

The host puts the artists work in perspective and the artist tells us that we can never really understand ourselves until we project ourselves outwardly.

Our host can't wait to try painting and she goes about choosing her ink. The artist describes the process that needs to be unlearned in order for us to let out what's truly in our hearts. We should disregard our training and just paint.

After the host finishes her painting the artist interprets in in relation to her life. He tells her that her life will move in one particular direction but She will have some difficulty right in the middle. In this way his work becomes a type of fortune telling.

The artist explains more of his life philosophy and our inherent contradictions.

In the end our host gives us the message that we should try our best to change the things we can and not over think the things we can't change about ourselves.

The artist describes how he draws inspiration from Chinese mythology, but he has his own flavor and interpretations.

The artist explains some of the mythology that goes into his work

The artist explains some more myths that directly tie into his work.

The artist talks about video games and the host talks about a video game.

The artist talks about how in the future the things that we see as science they will see as legends.

The artist describes how legends and myths are the blueprints for our future development.

The artist shows that in our myths it is preordained that our advancements are all in service of returning to our mythological paradise.

I am from Xinjiang but that doesn't mean I ride horses, it doesn't mean I eat qiegao, it also doesn't mean I am a thief or a terrorist. Listen to these young Xinjiang voices tell you what Xinjiang people are really like.

Even though we explain to others what Xinjiang is like, it is still hard to break down the image mainstream media creates of place like Urumqi. I can only do my best to tell you that Urumqi is not just grassland.

Stereotypes are dangerous, especially if they make up your entire understanding of something or someone. It is important to remember that everything and everyone is multifaceted. Just because one person does something a certain way doesn't mean everyone else does too.

Stereotypes of Xinjiang people don't only create confusion for the general population but also effect how Xinjiang people self-identify themselves.

How do we break down this ugly stereotype of Xinjiang? Both side need to openly communicate and work together to clear up misunderstandings. But where do we start? Start from yourself of course!

The Family Chronicles Oral History Photo and Video Project inspires young people to dig deep and learn about their family history.

The Family Chronicles project gives young people the chance to create their own legacy.

Meet film director, Jiao Shou Yi Xiao Xing.

Jiao Shou Yi Xiao Xing gives up a stable career, moving to Beijing to start over.

The road to "Never Thought of That" was not without its challenges.